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Cause we all got at least one question, and we all got at least one answer too! What Is This Place For?. Answering all your hip hop related questions. Discussing and sharing the classics. Sharing playlists How Should I Post?.
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Three Six Mafia Underground Vol 1 Download
This is a place to ask questions/recommendations without worrying about any kind of backlash, so if you know something someone does not, politely educate them rather than berate them Other Subreddits you might like:. Some favs off the top, Three 6 Mafia- Mystic Stylez Koopsta Knicca- The Devil's Playground Kingpin Skinnypimp- King of da Playaz Ball DJ Sound- Vol 10 Hatred DJ Zirk- Underworld Tommy Wright III- On The Run Project Pat- Ghetty Green 8Ball & MJG- Comin Out Hard DJ Paul- Underground Vol 16 For Da Summa DJ Paul & Lord Infamous- Come With Me To Hell Pt. 1 Remastered Red Dog & Shawty Pimp- Comin Real Wit It Children of the Corn- The Havoc (very lofi though) DJ Paul/Juicy J- Vol 3 (very lofi) Nigga Creep- Demons Taking Over Me (very lofi) Gangsta Blac- Can It Be? If you wanna know more lemme know, the stuff I noted as lofi might be hard to get into so I wouldn't start with them.
And someone posted this on it's a database of a bunch of Memphis tapes, you should be able to DL most of the ones I've mentioned here.
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Three Six Mafia Underground Vol 1 Free Download
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Underground Vol. 1: (1991-1994) by Released March 2, 1999 Recorded 1991-1994, Length 62: 20, chronology (1997) 1997 Underground Vol. 1: (1991-1994) (1999) (1999) 1999 Professional ratings Review scores Source Rating Underground Vol. 1: (1991–1994) is a collection of songs recorded when first started their rap career.
These songs have been taken from their underground mixtapes and albums such as DJ Paul & Juicy J's Vol. 1 - 3 mixtapes, DJ Paul & Lord Infamous' mixtapes, Juicy J's mixtapes and the Triple Six Mafia's Smoked Out, Loced Out tape. Track listing. 'Ridin' In Da Chevy Pt. 2' - DJ Paul & Lord Infamous feat.
Juicy J. 'Niggaz Ain't Barin' Dat' - Triple Six Mafia.
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'Chargin' These Hoes' - DJ Paul & Juicy J. 'Now I'm High, Really High' - Triple Six Mafia. 'Sucks On Dick' - Juicy J.
'Playa Hataz' - Triple Six Mafia. 'Paul With Da 45' - DJ Paul & Lord Infamous. 'Where Da Bud At' (Officially 'Crazy Off Da Bud Sac') - Lord Infamous. 'Mask and Da Glock' (Officially 'Victim Of a Driveby') - Lil' Glock & S.O.G.
'Don't Be Scared' - Juicy J. 'Time For Da Juice Mane' (Officially 'Stomp') - Juicy J. 'Walk Up To Your House' - DJ Paul & Juicy J. 'Yeah, They Done Fucked Up' - DJ Paul. 'Talk Ya Ass Off' - DJ Paul. 'Fuck All Dem Hoes' - DJ Paul & Juicy J.
Review Summary: real buck It's fair to say that in many circles these days hip hop is becoming increasingly intellectualised, and that's totally fine, but there is something so compelling and visceral about the utter lack of pretension in the way the likes of Triple Six Mafia recite their lines depicting murder, getting high, and murdering people whilst also getting high. There are probably some people reading this thinking dismissively to themselves that 'Underground' sounds like a classic hip-hop buzzword stapled to a release in order to throw together a few crappy b-sides as means for a quick money grab, but it is actually a really good name for this compilation in several ways.
On the surface it describes the relative obscurity of the songs, but it also reflects the morbid imagery found in both the downright obscene lyrical content and the clandestine production, and most of all it elucidates the dingy, dimly lit feeling pervading the entire release, as if the listener were hearing it deep in some basement from beyond a dense cloud of weed smoke, one so thick it obscures and distorts the sound. Moreover, 'Bitch I don't f uck around // I'll put your ass underground' may not have featured the eponym intentionally but it is still the perfect line to epitomize the lyrical content on this set of songs. The tracks on this compilation were exhumed from the group's various early mix-tapes as well as their much rawer first album Smoked Out, Loced Out, reappearing here re-cut with a more calculated, cold-blooded production that demonstrate DJ Paul and Juicy J's genuine talent at finding hooks in straightforward, ethereally eerie looped samples and restrained but galvanizing drum machine beats. Proof of this is the fact that some of the songs contain no verses at all but are merely simple, sinister analogue loops and rough vocal cuts grafted together and threaded up using a healthy dose of repetition with an expertise that deceptively seems to lack any intricacy. One of the best examples of this has to be second track 'Niggas Ain't Baring Dat', where several drawled vocal cuts interweave and overlap over a tastefully aggressive drum beat and foreboding, spacey scales, a song that clocks in at over six minutes but through intelligent, measured application of each simple sample does not feel that length at all. Another song in this style is the at first bewildering 'Sucks on Dick', in which the only two lines are literally just 'Sucks on dick, does it real good' and 'Get buck mothef ucker, get buck', but doesn't drag at all for the three minutes it lasts because it draws the listener into the same aggressively perverse daze as the rest of the album. Elsewhere, the production on 'Playa Hataz' contributes heavily to it being one of the best songs Triple Six have ever done, where the commanding hi-hat driven drum beat featuring some fantastic snare placement serves as groundwork for sparse sinister twinkles, otherworldly trilling voices, and malevolent droning brass.
A lamenting female croon superbly accentuates the echoed verses in 'Mask and da Glock', and 'Where Da Bud At' opens with an extravagant piano flourish that juxtaposes the cacophonous, almost siren like loop and an insatiable voice incessantly asking the question: where da bud at' While DJ Paul and Juicy J perform most of the rapping, there are also plenty of verses from old Triple Six mainstays, especially Lord Infamous, but also Koopsta Knicca, Gangsta Boo and Project Pat. While only just over half of the songs have proper verses, there are plenty of stand out performances and memorable lines that keep the listener coming back for more. Lord Infamous and Koopsta Knicca both have some of the best verses on Triple Six favourite 'Now I'm High, Really High'; lazily telling tales of dark, weed induced psychosis and incoherently boasting of bizarre, compulsive behaviour over a chorus of deep, distorted laughter. Gangsta Boo has a characteristically audacious verse on 'Playa Hataz', her patently combative rapping style fitting in perfectly with the obviously derisive message of the song itself. It's important when it comes to a group like Triple Six Mafia to be able to distinguish between lyrical craftsmanship and lyrical content, because while Triple Six often completely scorn any semblance of real narrative in favour of incoherent anecdotes, their imagery, rhyming patterns, and raw instinct when it comes to knowing what about their sound appeals to the listener, while far from being intellectually driven, are some of the best.
Beginning in 1999, Smoked Out Music began compiling many of 's previously released underground mix tape recordings as on the multi-volume series. These tracks were originally released regionally back in the early '90s, predating 's name change to in 1995. As such, the tracks are very lo-fi and uncompromising, even for.
It's perhaps most interesting to hear how the Memphis group would later reprise elements of these recordings. The first volume, features such underground favorites as 'Ridin' n' tha Chevy,' 'Now I'm High, Really High,' 'Where da Bud At,' 'Time for da Juice Mane,' and 'Fuck All Dem Hoes.' If you're new to, these compilations aren't the place to initiate yourself; however, longtime fans curious to investigate the group's beginnings should find these recordings of particular interest.
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